You can think of trill as one picture: something moving back and forth so fast that you stop hearing separate beats and hear a shake instead. In music that movement is between two notes next to each other. Outside music it can be a bird's throat, a tongue against the roof of the mouth, or a small electronic beep repeating. The speed is the point — slow the same movement down and it is just two sounds taking turns.

「trill」可以想成同一個畫面:某個東西來回得太快,快到你聽不出一下一下,只聽見一陣抖動。在音樂裡,來回發生在相鄰的兩個音之間。離開音樂,來回可以發生在鳥的喉嚨、舌頭與上顎之間,或是一個不斷重複的電子提示音。重點一直是速度。把同樣的來回放慢,它就只是兩個聲音輪流出現,不再是 trill 了。

From the word’s history

The supplied Wiktionary entry traces trill through Middle English trillen to Italian trillo / trillare, the name of the musical ornament. That fits the shared picture: the word starts as the two-note shake and is then lent to any sound with the same fast back-and-forth quality.

來源資料指出,trill 經由中古英語 trillen,來自義大利文的 trillo/trillare,也就是音樂上的顫音。這和整個字的共同畫面對得上:它先是「兩個音之間的快速來回」,之後才被借去形容任何有同樣抖動感的聲音。

Wiktionary (kaikki extract supplied in this packet; source_ref kaikki:3f6f69a190036ae4:496840719:17714): “From Middle English trillen, from Italian trillo, trillare.”

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